Wednesday Wisdom: Writerly Catch-Up

OK, I know I don’t divulge too much about my writing project(s). The reason is: The status changes every day, every minute, every time a new idea seems like a good idea. (Seemingly too often, the good ideas aren’t as amazing as I imagined they were at 3:00 a.m.)

The craft of writing is a whorl that can only flow one direction. Fight it, and the resistance takes you down. Go with it, and you will inevitably end up somewhere unexpected but the ride was free. The process hates control freaks. It takes a very open-minded soul to trust their own subconscious mind to create the story.

I’ve been honing the skill of letting go. I’ve let go of how many versions? 47? Hundreds? Who knows? Keeping score is not a good idea. It only serves to stress the emotional freedom that is the sacred space of creativity.

I’ll take a tangent here. Currently, I’m reading a book called ‘A Girl With No Name’. It’s the true story of a five-year old girl kidnapped and dropped off in the jungle of Colombia. For five years, she survived the terror of the jungle by observing, then adapting, into a troop of capuchin monkeys. The monkeys treated her as one of their own. The girl learned to communicate through their categories of screeches, laughter, warnings, and plain old hijynx. When a monkey died, they grieved together. When the girl ate poisonous tamarind, Grandpa monkey shoved her into a pool of filthy water which she forcefully swallowed, then vomited. The old monkey saved her life.

The story chapters are organized through the girl’s discoveries. One example of this was after two or so years in the jungle, she had found a shard of mirror. Her reflection scared her, as she hadn’t known she didn’t resemble the monkeys. With the mirror, her entire sense of identity was shattered. The prior experience had become so absolute in her mind, and her body so adapted to the patterns of the monkeys, that she had no concept, no language, for what she was. And yet, she harnessed the emotional apex that the monkeys had accepted and took care of her anyway.

This story has so much significance. Creatively, emotionally, we can easily be lost in a terrifying world. But when we pause and observe the productivity surrounding us, when we recognize the break-down of skill and experience and care that sustain us, we can arrive at the apex of the human condition to feel heard and be seen. Nature is slow. So, too, must we create.

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